Have you read Ivy + Bean? We think they’re great. They’re like…Superfudge/Tales of a 4th Grade Nothing or How To Eat Fried Worms, but with girls. And like How To Eat Fried Worms, which isn’t SO boy that only boys like it, the Ivy & Bean Series isn’t SO girly that only girls like them. They’re stories of sibling angst, secret pacts with friends and honest goofball hijinks that all preteens get into. I highly recommend.
The Post5 company has always been known as a “low-budget, but we’re going to make it happen anyway” kind of company–and they have been quite successful in their accessible Shakespearian productions for the number of years that this reviewer has seen their efforts. It’s quite refreshing to see them bring something fresh (albeit about something rotten–zombies) to the stage.
It is against this conflicted yet abundant tapestry that we enter depths of Carlos Lacámara’s play [about the 1980 Cuban Mariel Boatlift] at Artists Rep., Exiles, as we follow a group disparate boatlift passengers, conflicted both in economic disparity and in points of view. And those differences make for a very rich evening of political theatre indeed, and deliverd excellently by Artistic Director Dámaso Rodriguez’s ensemble cast.
Tick Tick Boom, a Triangle Productions presentation at the Sanctuary 1785 NE Sandy, through September 27, is an autobiographical musical by Jonathon Larson. It is set in 1990. It takes place in the days leading up to Mr. Larson’s thirtieth birthday. The tick tick is the clock in his head that reminds him that he is now older than his father was when he was born, that many others, including Napoleon, had accomplished great things before they were 30, that his great plans had not come to fruition, that his life was tick tick ticking away with his dreams unrealized.
Luckily we have the Broadway Rose Production Company. They are dedicated to shortening the gap. Their mission statement: “To create unparalleled musical theater experiences that invigorate audiences and enrich our communities.” In fulfilling that mandate since 1992 they have tackled a great number of Broadway Musicals: From A Day in Hollywood a Night in the Ukraine to The Whole Wide World; from Oklahoma to Les Miserables. We should be thankful they are now doing The Music Man
The Portland Actors Ensemble is solid in their respect for Shakespeare. In 1970 they did their first Shakespeare in the Park free performance with As You Like It in Laurelhurst Park. Their mission statement: “To bring financially accessible classical theater to Portland communities in a nontraditional environment.” Since then many things have changed. At least a couple of things haven’t. This year it is Antony and Cleopatra.
May we all learn from the lesson, before it is too late, of letting our pursuit of power for power’s sake corrupt us from within while forces from without wait, vulture like, to divide the spoils of the corpse of the state. This crackling and well-performed production at Post Five serves as just such a cautionary tale.
With an artist’s eye for detail, Obie Award winning playwright and Guggenheim Fellow Adam Bock brings gender, identity, complexity and juxtaposition to the stage by creating “A Small Fire”… On the surface, Canadian-born playwright Adam Bock gives off an air of simple affability. Friendly and engaging, Bock is ready to share, be it personal opinions, insights, […]
The material here is strong enough to rope in and engage even the most PC Portlandia audience, but many of the performances are not quite yet meeting the bar this play has set, in Artists Rep.’s Pacific Northwest premiere of The Motherf**ker With The Hat.
At times it was just like seeing that last song in Grease with all the kids dancing and singing through the audience….just….two of them were zombies. At other times, it was a little Beetlejuice complete with teen angst. It was thoroughly entertaining the entire time for me. The audience was more engaged at around age 9 and up, I’d say.